Here you can find my official IMDb page, where all the films that i've worked on, are included.
In November 2022, I embarked on a significant chapter in my career at Nu Boyana film studios by working on "Expend4bles," my inaugural venture into the realm of movie sound editing. At that time, with only three weeks under my belt at the studio, the stakes were high as a dedicated sound team from Canada joined the project for the final mix. The Canadian supervisor wasted no time in entrusting me with the pivotal task of editing the foley to prepare it for the impending mixing stage.
This experience served as a crash course in the intricacies of scheduling, strategizing, and effective communication in the fast-paced world of film post-production. The collaboration with the seasoned Canadian team proved invaluable, significantly elevating my skills and understanding of Pro Tools while imparting invaluable insights into the art of sound design.
Their mentorship not only expanded my technical proficiency but also instilled in me a profound appreciation for the collaborative nature of the industry. I consider myself incredibly fortunate to have crossed paths with these experts who not only believed in my potential but entrusted me with a project of such magnitude. Successfully navigating the challenges, I emerged from the experience with newfound confidence and a deeper understanding of the complexities inherent in the world of sound editing for major cinematic productions.
In January 2023, following my experience on "Expend4bles," the indie film "Jade," helmed by Canadian producer/director James Bamford, landed at our studio for post-production sound editing and mixing. Due to budget constraints, the Canadian team wasn't enlisted this time, placing the responsibility on our Bulgarian team. With a tighter schedule and the absence of Canadian guidance, my colleagues entrusted me with designing background ambiences and tackling foley and steps coverage for this second cinematic endeavor.
Given the limited timeframe and the learning curve, I dedicated myself to the task, putting in daily overtime hours to navigate Pro Tools efficiently. The support and trust of my colleagues were pivotal, allowing me to delve into the complexities of sound design confidently. The collaboration resulted in a meticulously crafted sound experience for "Jade," leaving James Bamford delighted with our final product.
This successful venture marked the beginning of an ongoing collaboration, as we continue to handle the sound editing and mixing for almost every new project James Bamford undertakes, showcasing the enduring impact of our initial partnership on the indie film "Jade."
In my progression through film sound editing, the next project to grace my desk was the Bulgarian short film, "And That's It for Christmas." The opportunity arose through a connection with the producer/director, a friend of our department's supervisor. Recognizing the potential for valuable experience, my supervisor entrusted me with the responsibility of handling all foley and background ambiences for this project.
At this juncture, I was beginning to feel more at ease with Pro Tools, and seizing the chance, I embraced the challenge wholeheartedly. This venture marked my inaugural experience recording foley independently—a task that not only boosted my confidence but also ignited a deep appreciation for the inherent creativity within the process. The intricacies of capturing sound effects to enhance the auditory experience resonated with me, and from that moment, I found myself captivated and in love with the art of foley recording.
In my journey through film sound editing, the next formidable challenge arrived with "The Bricklayer," a high-budget production that summoned the return of the Canadian team in March for the pre-mixing and mixing stages. With both Bulgarian and Canadian teams fully engaged, the Canadian supervisor swiftly entrusted me with the critical task of foley editing.
This opportunity was a chance to reaffirm my capabilities, now armed with more experience and a heightened comfort level within my workflow. I enthusiastically embraced the task, dedicating myself to the project with fervor, often putting in overtime hours to match the pace of the team. Although no one explicitly requested the extra effort, the collaborative spirit drove me to contribute my best.
After a month and a half of collective dedication, the end result manifested as a beautifully crafted mix by the Canadian team. The culmination of our efforts was celebrated with a screening attended by the producer and director of the film. Experiencing firsthand the dynamics of teamwork and receiving notes from the director on our work, I gained a profound understanding of the collaborative essence of filmmaking.
In August 2023, the next cinematic endeavor, "Shadowland," emerged—an American indie film with a connection through the director/producer, a friend and colleague of the director of 'Jade.' This time, the Bulgarian team took the reins once again. Tasked with handling all backgrounds and foley, I approached the project with a newfound confidence, bolstered by the guidance received during the "Bricklayer."
Having weathered the challenges of previous indie films, my workflow had evolved, and my understanding of each project's unique approach was sharper than ever. The collaborative spirit among me and my colleagues strengthened, fostering a sense of unity and camaraderie. Through these indie movies, we not only refined our skills but also forged lasting bonds, transforming into a cohesive and dedicated team.
In October 2023, a significant milestone in our journey arrived with "Subservience," a big-budget American movie featuring Megan Fox. This project marked a departure from our previous work, as it would be the first major production we handled independently, from editing to the final mix, without the support of the Canadian team. The stakes were high, given the elevated expectations associated with a big-budget venture, necessitating our best efforts throughout the entire process.
For "Subservience," my role focused exclusively on the background ambiences of the movie, a task that demanded meticulous attention to detail. The challenge was met with valuable insights from a fellow sound designer from Bulgaria, a collaborator on this project, who generously shared tips and tricks, significantly enhancing my approach to background ambience.
Over a span of almost three months, we poured our dedication into this project. The collaborative efforts bore fruit, pleasing both the director and our team. Successfully navigating the complexities of a high-budget production independently was a testament to our evolving capabilities and marked a proud accomplishment for us all.
An American indie movie, 'Fluxx,' became the latest addition to our sound post-production repertoire. Impressed by our work on 'Shadowland,' the director/producer chose our team for this project. Despite the constraints of a tight budget and schedule, we embraced the challenge. In less than two months, we navigated through the entire process, from editing to final mixing, delivering a sonically impressive result.
My role in 'Fluxx' involved handling the backgrounds once again, a responsibility I approached with precision and creativity. The director was not only amazed by the quality of the final sound but also appreciated how we seamlessly integrated our creative ideas into the movie. 'Fluxx' now stands as a prized gem in our portfolio, and the director's expressed intention to collaborate on future projects further solidifies our team's reputation in the realm of sound post-production.
In early 2024, I had the opportunity to work on the movie "Strangers," which was shot in Sofia, Bulgaria, with half of the scenes taking place in this vibrant city. As I was primarily responsible for capturing the background sounds of the film, this project presented an excellent opportunity for me to immerse myself in field recordings.
I meticulously scanned and recorded all the locations featured in the movie, enriching my sound library with a diverse range of atmospheric sounds. This hands-on experience allowed me to expand my skill set and refine my techniques in capturing authentic environmental sounds.
The collaborative efforts of our team culminated in a truly remarkable outcome for "Strangers." The producers and director were deeply impressed by the immersive soundscape we created, which enhanced the overall viewing experience for audiences. We take great pride in our collective achievement and are thrilled to have contributed to the success of this cinematic masterpiece.